I have set myself the following objectives for this final assignment:
- be ambitious
- work with colour and texture
- develop from the techniques used in Looking Closer and Torn Collage
- produce a piece with a rich, interesting surface
- use the technique of obliterating and restating
- reflect a sculptural shape and interesting shadow
I looked back through all my sketches, especially ‘Different Angles’, and did further thumbnail sketches to decide on my composition. I wanted to get dramatic lighting, so I experimented with a darkened room, spot light and a box. In the end I decided to suspend my stone in the box. This gave me:
- an interesting, offset shadow
- contrasting texture of the string and stone
- perspective of the corners of the box
- highlights the hole in the stone
- a centre of interest with the knot through the hole.
I experimented with media which I could work over again. I settled on a roughly brushed gesso background (several layers for toughness) with coloured charcoals in a very limited palette (tan, brown, grey,blue).
In the composition I aimed for:
- the string to be on about the 1/3 line
- the stone and shadow to give a diagonal
- the string and shadow to not be fully resolved
- the texture, colour and tones of the work as a whole to mirror those on the stone
- very simple and strong, so, in the end, I edited out the edges of the box
Having prepared my support, I toned the background by sweeping coloured charcoal over it, and then reworking with gesso and acrylic medium. I started to place loosely the stone and shadow. I kept drawing in charcoal, rubbing over, painting over and getting more texture. I gradually allowed the shapes to appear, layering up the colours. Eventually I started to concentrate on details of tone in the stone, but when I did, I over filled my texture. I obliterated the shapes almost completely and started again. This time I was careful not to use charcoal too heavily, and to try for an impression rather than detail.
I am pleased with:
- richness of texture
- restrained colour
- three dimensionality of the stone and knot
- integration of shapes and colour
- flow around the drawing.
I am not sure about:
- lack of definition on the stone? just not sure about the balance between clarity and texture
- the shadow is not shapely enough
- I tried to make an interesting but very simple composition, but I am not sure it is interesting enough
- is the drawn element of the picture obvious enough? Does it need to be?
If I was starting again I would:
- if I was using this technique again, I would work on a much bigger scale.
- I might crop in much harder
I really enjoyed the process of developing the image using paint, charcoal and my fingers. I felt a real, physical connection with the work and the subject.